For the last three weeks, I have sat behind the small ticket counter at OnStage Playhouse…listening. Listening to hammers, listening to the click clack of shoes on a seasoned stage, listening to pages rustling between fingers and, most importantly, listening to voices speaking the words of those left behind by time – channeled through the cast of The Diary of Anne Frank. Of course, the words crafted by Frances Goodrich and Albert Hackett, and adapted for the stage by Wendy Kesselman, are powerful on their own. But, this production is different.
Yes, the power of Lucia Vecchio’s performance of Anne is sure to leave most theater-goers with red eyes and runny noses. Yes, the subtle complexity of the towering Sven Salumaa’s portrayal of Otto Frank will leave audience members scrambling for speech. These things are a given. The power of this intimate, expertly casted and staged performance lies in the earnest eyes of the seventeen and eighteen-year-olds that are working dramaturge and sound, who are researching props and back story, who are writing rehearsal reports and sending emails to cast and crew. The power of this interpretation of The Diary of Anne Frank lies in the Interns.
It was a ballsy move for Artistic Director Teri Brown and Director Kym Pappas to experiment with the already established internship program. It is paying off in ways, I don’t even think, they could have imagined. The original idea was to take the current internship program and add an even deeper layer of exploration by pairing each intern with a theater professional in order to create a depth of understanding of the process and production of a stage play. That they chose it to be Anne Frank is almost ironic in light of the recent social movement hailed as “Occupy.” What they have allowed the interns to experience is a way of being in the world as seen through the eyes of a thirteen year-old who dreamed of a future, planned for forever, and spoke poignant words in the silence of her own thoughts.
I cannot disregard the juxtaposition of the short but meaningful life of Anne Frank with the current lives of the interns who are in the “blossom” of their own youth, as she was. Anne interpreted the lives of adults and their reactions to the controversies and atrocities of her day much as the Interns do – through innocent hopeful eyes. In her own way, she made changes in her life and the lives of others simply by having a different vision of her tomorrow. But Anne had one thing that most youth do not have today – the simple solitude of reflection. She was able to think about her life, her circumstances, her expectations…and she wrote them down. Most of our young people today don’t have this luxury.
That’s why the Charles K. Nichols Internship Program at OnStage Playhouse, and its troupe made up of high school seniors and college freshman (Victoria Acosta, Gina Bernacett, Dempsey Davis, RJ Haines, Emilio Olsen, Julia Sola, and Tony Rivera) is so much more than just a performance. Through their research and immersion in Anne’s life, they are able to see their own world through Anne’s eyes…and work to never repeat it.
The Diary of Anne Frank runs from November 4 to December 4 at OnStage Playhouse, 291 Third Avenue, Chula Vista. Ticket prices are $16.00 general admission.
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